Continuing to comprehend the process of drawing, we shall understand how to draw a church.Quite often it happens that it is the church building with a bell tower stop looking at him in any landscape, in rural or urban.It is dominant, in other words - the compositional center.
Asked how to draw a church, I must say that to do it right is impossible without knowledge of linear perspective.The laws of plausible images of objects must first understand.It is necessary to understand the way in which parallel lines converge objects on the horizon.And just to clarify for myself as cut planes and volumes depending on the location in space, you can move on.And there is nothing easier than to give a very short answer to the question of how to draw a church.This should be done in stages.And nothing else.
Despite the fact that I want to draw something beautiful, large and mnogokupolnoe, we should start with a simple and modest rural churches.Let it be clear in form, because it is easier to learn.Good pattern we fail, if not immediately zakomponovat correct image.In other words, it must be properly placed on the sheet of paper.It is at the very beginning about imagine the result of the work and place the image so that the important thing would be immediately stopped looking at him.Light strokes outline the boundaries of which should not be out.Visualize the horizon.
How to draw a church and generally anything?Of course, we must start with the most common volumes.Light strokes outline the vertical and horizontal building of the bell tower.
Do not forget the horizon, all parallel lines on it are their points of convergence, they should mentally represent, at least approximately.Without this it is impossible to accurately portray any building and construction.Carefully follow the proportions: total length, width and height.If we do not correct them shall understand, our task, which is how to draw the church remain unimplemented, and the result we clearly do not like.
Next, go to the construction and elaboration of small parts and components.Carefully monitor their value in relation to the entire construction.We are trying to highlight and emphasize what seems to us an important and interesting.But we should not get involved in small details - when a lot of them, they can obscure the important thing.We fix only the characteristic and expressive.
As we approach the end of the work, you should not get involved in details, and to look at the whole picture entirely.The ability to generalize their work and bring all the elements of a single whole - this is very important, and it turns out not always immediately.
But perseverance leads to good results.And a lot of work and a lot of interesting things - a lot of fine engineering and technology.From the traditional, such as watercolor, gouache, tempera and oil, to virtual.But nothing good will come if man immediately grabbed by the tablet.We should start to deal with the more local problems, such as a pencil to draw the church.
